![]() Shed Seven‘s Cannon shared a refreshing nod to those festival days, while we’re inclined to take a closer look at Oasis’ infamous artwork. We ended up in the studio with Macca and Will, Liam put a backing vocal on their song Nothing lasts Forever and we both did handclaps on the outro. I reckon if you got mugged and this was in your headphones, they’d stand no chance. Oasis’ Bonehead channels Liam Gallagher’s unmistakeable Manchester presence, as well as sharing a never-before-heard memory with Echo and the Bunnymen. We did, I think I'm right in saying, get 9 of the eventual 14 tracks, recorded in the first 24 hours – like bang bang bang bang bang bang wallop. While we all listen to the album together, each band member takes us through the true meaning behind the lyrics we could have been singing along to for years – even if its origin was merely a moment of madness.įun fact I always like the line in James ‘Laid’ ‘my therapist said not to see you no more’ so i added ‘fuck what the therapist said it’s just something he read’ in the 2nd verse, literally just to have the word therapist in a tune.Īnd so commenced the most efficient, and I'd argue most splendid, batch of recordings in the Libertines' studio career. The intimate discoveries that come with each live tweet from the artist are ingenious. The click of a button or the scratch of a needle were the sounds behind Brits opening their timelines at the exact same time to immerse into the chosen album of the hour, topped off with live tweets streamed from the artist themselves, including the likes of The Cure, Blossoms, Liam Gallagher, The Libertines, Kaiser Chiefs, The Smiths, The Strokes, Blur, Pulp, The Streets, The Vaccines, Foals and Royal Blood, to name a few. While Charlatans frontman Tim Burgess’ listening parties were born well before 2020, the endearing concept was discovered and adored by thousands more when thrown into a worldwide lockdown. Let’s face it, it’s natural to neglect delving into the innings of a record when, for so many, music is background noise for the morning commute, daily errands and – pre-Covid – social gatherings. Millie Finn delves into the latest way to listen to an album September 2018Įverybody’s Spectacular, Reykjavík, 16-19.In a world where our favourite tracks are at our Spotify fingertips, we’ve forgotten to appreciate the b-sides and the underdogs. Ganz Novi Festival, Zagreb, 22.-24 September 2018īastard Festival, Trondheim, 11-13. Ice hot dance Platform, Reykjavík, 15 December 2018 13-14th May 2020 // covid cancelledĭansehallerne, Copenhagen. March 2021 // covid cancelled.īibu Festival, Helsingborg. ![]() La Briqueterie/Centra de Développement Chorégraphique National du Val-de-Marne. Gothenburg Theatre and Dance Festival, Gothenburg, 20-21. Move Your Mind Festival, Bora Bora Århus, 15-17. Listening Party was commissioned by Lókal & Reykjavík Dance Festival within the frame of ,Into the City onto the Stage", supported my Ministry of Culture and Education and Urban Heat, supported by European Union.Ĭo produced by: apap - Performing Europe 2020, co-funded by the Creative Europe Programme of the European Union. was nominted "Choreographer of the Year" at the Icelandic theatre and stage awards, Gríman, in 2017. Original cast and collaborators : Marta Ákadóttir, Lukka Mörk, Sverrir Gauti Svavarsson, Baldur Einarsson, Steinunn Þórðardóttir, Erna Benediktsdóttir, Haukur Guðnason, Sæþór Elí Bjarnason, Egill Andrason, Saga Klose, Karen Nordquist Ragnarsdóttir, Jón Karl Sigurðsson, Stefán Árni Gylfason, Theodór Pálsson, Lea Alexandra Gunnarsdóttir, Hanna Greta, Uloma Ousala, Ísafold Kristín, Lúkas Örvar Blurton, Emma Ýrr Hlynsdóttir, Óðinn Sastre, Þuríður Guðrún Pétursdóttir, Jana Ebenezardóttir, Viktoría Mist, Ilmur María Arnarsdóttir, Sigríður Ragnarsdóttir, Aron Gauti, Arnór Máni Birgisson, Oliver Alí, Hringur Kjartansson, Karl Jóhann Jónsson, Ólafur Björgúlfsson, Halldóra Björg. Light designer and assistant: Alma Mjöll Ólafsdóttir. Dramaturgical advisor and production: Alexander Roberts.
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